Theater Review: Peril in the Alps

                       Cast of "Peril in the Alps"
 

Let’s see, where to start?

There are serious plays, musicals, comedies, farces and one-man shows – all of which have held the stage at North Coast Repertory Theatre from time to time.

But it must be especially nice to have your own in-house playwright and director like Steven Dietz, whose nonstop giggle fest “Peril in the Alps” plays there through May 11.

“Peril in the Alps” is a successor to Dietz’s “Murder on the Links,” which played NCRT to great success two years ago and then moved to Laguna Playhouse.

Based partly on Agatha Christie’s “Poirot Investigates,” the “Alps” show takes place in London, Paris and the Swiss Alps and pretty much revolves around cocoa lover and Belgian sleuth Hercule Poirot as he attempts to solve a kidnapping. Poirot is brilliantly and hilariously played by NCRT’s terrific Omri Schein.

But he’s not alone. There’s a fab cast of six – several old-timers and some new faces – that play some 29 roles among them and all are just having so darned much fun that you can’t help having your own gigglefest.

A couple of the women (Gabbie Adner and Amanda Sitton) play several roles, as do Brian Mackey (called Man Two) and Christopher M. Williams (called Man One). And Valerie Larsen plays Poirot’s comrade Captain Hastings.

Whatever else you do, don’t miss this hilarious show.

The details

“Peril in the Alps” plays through May 18, 2025 at North Coast Repertory Theatre, 987 Lomas Santa Fe Drive in Solana Beach.

Shows Wednesday and Thursday at 7 p.m.; Friday at 8 p.m.; Saturday at 2 and 8 p.m. and Sunday at 2 and 7 p.m.

Tickets: $57-$69. Call (858) 481-1055 or online at northcoastrep.org

Play review: Regency Girls

               

Let’s face it, being a girl has never been easy. But imagine what it was like if you were in the English countryside in 1810. And pregnant, and single.

The Old Globe Theatre brings us the world premiere of a story that lets us know just that, in a long but mostly delightful story about that time and place.

Jane Austen, you say? Well, yes. But this isn’t just a story, it’s a musical that tosses in a ton of tunes and gobs of dance steps to keep you not only entertained but often just plain laughing.

“Regency Girls,” with a book by Jennifer Crittenden and Gabrielle Allan, runs through April 10 on The Old Globe’s Donald and Darlene Shiley Stage. I would (in fact I will) say hurry and get tickets, but given its reception on opening night, I’ll bet it will be extended.

Josh Rhodes directed and choreographed the show. The music (including some 20 songs) is by Curtis Moore and the lyrics are by Amanda Green, and the nine-member orchestra keeps the music coming.

The cast of nine also includes seven ensemble members and four swings. 

It’s damn near impossible to recite the story, because there’s just too much going on. The main character is Elinor Benton (played by Isabelle McCalla), who is young, pregnant and unmarried. She knows she’d better get out of there and fast if she wants to survive, so she suggests to her female friends that they all go on a road trip to find the one woman who might offer her a chance to change her fate. (Woman? Did I say woman? Yep. This is the updated 19th century.)

The girls run into several male creatures (okay, men) on the way, and several relationships of one type or another are formed. 

Though book writers Crittenden and Allan began work on the script in 2018, they were delayed by the Covid-19 pandemic. And the Supreme Court overturned Roe v. Wade (establishing the right to abortion) in 1973), adding more complications.

But never mind all that. The fact is that this is a play, offering loads of laughs and 20 new songs with titles like “Female Trouble” and “Galloping Dick” (there’s a character by that moniker; gotta love it). The songs are accompanied by a fine 9-piece orchestra in the pit, conducted by Patrick Sulken.

“Regency Girls” is a show like no other. Don’t miss it.

The details

“Regency Girls” plays through April 10, 2025 on The Old Globe’s Shiley Stage.

Shows are Tuesday, Wednesday and Thursday at 7 p.m.; Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7 p.m. 

Box office hours are noon to final curtain. For tickets call the box office (234-5623). Cash and credit cards accepted.

Free parking is available throughout the park. Valet parking is also available for $22 for pre-purchase or $25 for drive-up; evenings only. 

Theater Review: La Havana Madrid

                          Cast of "La Havana Madrid"

We saw one version of this show outdoors in the courtyard of San Juan Capistrano Mission in 2023.

But that was then and this is now, where Carlsbad’s New Village Arts offers a complete version of Sandra Delgado’s original show, which plays through April 27 at the Carlsbad theater’s 2787 State Street home.

This show is directed by Richard Trujillo and has a listed cast of 6 (and two swings), and seems to move at a breakneck pace partly because it offers fast “meetings” between male and female Cuban characters who all want to live the American dream.

But we’re not in Cuba now. We’re in a Chicago nightclub in the 1950s and ‘60s, where folks come to meet, greet and hope to find and live that dream.

Originally founded by Cuban-born White Sox pitcher Luis Aloma, it transformed into a stylish nightclub with a Cuban menu and live music. In 1966, Puerto Rican businessman and radio host Tony Quintana took over, bringing A-list Latin talent to promote the venue. It was finally forced to close in 1969, and today it’s a hair salon.

But this show lets us in on the memories of the club that once was, with a cast of six and two swings and a band of five.

Wonderfully directed by Richard Trujillo, the evening starts in the lobby with snacks and drinks (take your pick) and entertainment provided by the band.

After that, we are invited to enter La Havana Madrid and say hello to the folks there.

We’ll find a bunch of young former Cubans now living in Chicago, looking for friends and even lovers. Behind them is a band (gotta have it) that we can even watch (though from quite a distance). But mostly what we’ll see is a bar with a bartender and assorted men and women looking for food, perhaps a drink and maybe even a future girl or boyfriend.

The cast here is wondrous fine. All the actors are also good (some even excellent) singers, who keep the show going. Some even talk to us in the audience. It’s all very friendly and charming.

The only problem with this show from the audience viewpoint is that after all the snacks and the band concert before the show, we sit down for a 2-hour plus 15-minute show with one 15-minute intermission.

But “La Havana Madrid” is like nothing you’ve seen before. It’s worth it just for that.

The details

“La Havana Madrid” runs through April 27, 2025 at New Village Arts, 2787 State Street in Carlsbad.

Shows Wednesday at 2 p.m.; Thursday and Friday at 7:30 p.m.; Saturday at 2 and 7:30 p.m.; Sunday at noon.

For tickets call (760) 433-3245

Theater Review: Three Summers of Lincoln

This seems to be the year for U.S. history, especially the bloody, messy kind.

La Jolla Playhouse started it last week with the opening of the new musical “Three Summers of Lincoln,” which has been extended through April 6 at the Playhouse’s Mandell Weiss Theatre. Christopher Ashley directs the show.

This play, covering 1862-1864, describes the Civil War and how President Lincoln eventually ended it with help from abolitionist (and former slave) Frederick Douglass. 

It took only three meetings between the two men, but this version offers much more than that — a score that blends gospel, R&B and powerhouse anthems, and lots of dancing by a fine ensemble of 13 singers/dancers.

The music starts in 1862 with the company singing and dancing to “Ninety Day War,” which prepares the audience for a different interpretation of the event many think of as a literally bloody mess. 

President Lincoln (Ivan Hernandez, who actually resembles Lincoln) is frustrated by the fighting that has resulted in no wins. But as Joe DiPietro’s play progresses he will slowly shift from a rule-bound lawyer to a rule breaker and change-maker who sings “a liberal relies on ‘later’ but a radical shouts ‘now!’”

Abolitionist Frederick Douglass (played and sung brilliantly by Quentin Earl Darrington) is annoyed, too, that the fighting isn’t over. But how to end it?

They will end it when they get together and decide that it’s enough, already, of the fighting. That will happen a bit over two hours later, after both men have pushed each other to end it.

Douglass’ children — son Lewis (Magic Mosely) and daughter Rosetta (Naomi Tiana Rodgers) are also in the cast, as are Lincoln’s wife Mary (Carmen Cusack), her friend and dressmaker Elizabeth (Saigon Sengloh) and his valet William (John-Andrew Morrison).

There are some great scenes in this show, such as the song in which Mary Todd Lincoln helps Union soldiers write letters home, and another late in the show in which Douglass and Lincoln sing about how pleasantly surprised they were about each other as people.

Oh, and I mustn’t forget that pompous General George B. McClellan (played hilariously by Eric Anderson), who is a comic gem.

The score by Crystal Monee Hall is full of ensemble numbers, with many excellent lyrics. Some even use Lincoln and Douglass’ words. And choreographers John Rua and Daniel J. Watts have created evocative, sometimes African-inspired dances.

It all works together brilliantly. It looks great, sounds great, offers a terrific cast and settings. It’s a show not to be missed.

The details

“3 Summers of Lincoln” plays through April 6 at La Jolla Playhouse’s Mandell Weiss Theatre, 2910 La Jolla Village Drive in La Jolla.

Ticket prices: $30-137

For information or tickets: (858) 550-1010 or lajollaplayhouse.org

Theater Review: What The Constitution Means to Me

Whoa, this is a play like no other, speedy and fascinating and exhausting all at once. And how can there be a play about the U.S. Constitution that does all that and keeps you utterly enthralled at the same time?

Don’t ask, just get a ticket and get up there to North Coast Repertory Theatre, where you’ll see Jacque Wilke* take on the role of Heidi, an American woman who took it upon herself to analyze the U.S. Constitution almost word by word. 

David Ellenstein, NCRT’s artistic director, writes in his intro that writer Heidi Schreck took about ten years to write the play, performing it first on Broadway in New York in 2019, where he reports that it “took the city by storm” and became a Pulitzer Prize finalist.

It certainly fascinated the NCRT audience, especially this person who was lucky enough to get a second-row seat.

The most important word in the show is “shall,” which is used many times, and what comes after that word is what this show is all about. 

If you’re a woman, you know that “not” is one of the many words that often follow “shall,” and this show will tell you many of them that later became part of the U.S. Constitution.

On the way, woman’s right to choose will be discussed, as will “equal protection under the law” and the “due process” clause. There will be talk about mandatory and discretionary requirements.

Wilke shares the stage with Andrew Oswald, who plays the Legionnaire and shares the stage with her (from the other side). But mostly he just sits there and watches her talk. And she does it brilliantly.

Later, we will meet two young debaters, played by Genevieve Tai and EM Dance, who will amuse us with their own debate.

“What The Constitution Means To Me” is a terrific play. Don’t miss it.

Theater Review: WHITE

Note: Scripps Ranch brings us a wild, crazy show called "WHITE." Sorry, I couldn't make the photos behave, so try to make do with this review. 

Leave it to Scripps Ranch Theatre to come up with a piece that drives you crazy, makes you laugh and keeps you enthralled for the entire 90-minute, intermissionless piece.

Tonight it’s James Ijames’ “White,” which starts with a (caucasian) artist named Gus (Joey Landwehr) and a (black) actress named Vanessa (Mysia Anderson, who also plays two other characters) and their helpers/friends named Jane (Noelle Caliguri) and Tanner (Kevin Phantom), then blossoms into a much wider piece with so many characters that I lost track of who or what they are or want to be. 

The overall topic here is privilege in the art world: who gets it, who wants it and how they do or don’t work together.

The overall idea is the presentation of diversity and our own individual biases, racial and sexual identities and LGBTQIA identities. Got it?

If it all sounds hopelessly confusing, don’t worry about it. Just sit down, relax and enjoy the crazy show you’re about to see. Cringe now and then if it feels right. I might have called the show “Lost in the Kerfufle,” but though I like that title I must admit that it’s just as possible that nobody (except me) was lost, so take that for what it’s worth. 

The cast is terrific, Yolanda Marie Franklin gets a lot of credit for directing this crazy show, and from my perspective a huge amount of credit also goes to Cassandra Crawford for her costume design(s), that seem to change almost on a dime and fascinate with each switch. Ted Leib’s sound designs, John Spafford’s set designs (and construction) and Deanna Trethewy’s lighting designs also deserve credit.

“WHITE” runs through March 9, 2025 at Scripps Ranch Theatre in Scripps Ranch. Shows are Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.

For tickets, call (858) 395-0573 or buy online at https://scrippsranchtheatre.org/showtckets/

Theater Review: Other Desert Cities

                     Cast of "Other Desert Cities"

       Geoffrey Ulysses Geissinger, Alan Rust, Melanie Lora, Rosina Reynolds, Debra Wanger. Photo by Karli Cadel.

Families. Oy. Especially the folks who live in an upscale Palm Springs home in Jon Robin Baitz’s “Other Desert Cities,” called a “searingly funny drama” on the program cover of Cygnet Theatre’s latest theatrical offering.

It is just that, not to mention almost depressing, given the way they sometimes treat each other. Alan Rust* plays Dad Lyman Wyeth, trying to keep the family happy and functional. Lyman is a former actor who served as an ambassador in the Reagan administration.

Mainly, there’s writer Brooke Wyeth (played by a deliberate Melanie Lora*), home to celebrate Christmas with the family after a six-year absence. Brooke is about to write another book, this one a sad family memoir about a tragic event from the past. 

Brooke’s mom Polly (brilliantly played by Rosina Reynolds) used to be a screenwriter. Now she’s just a solid Republican who sometimes gets annoyed at “you indulged children of the ‘me’ generation.”

Brooke’s other sib is youngest son and reality TV producer Trip, played by Geoffrey Ulysses Geissinger with the devil-may-care attitude of the young.

Then there’s elderly Silda Grauman (wonderfully played by Debra Wanger*), Jewish, bitter and alcoholic. She whines “I’ve been on a diet for two weeks and all I lost is 14 days.”

What’s going to happen? Oh, lots of things, some funny, some sad, some that will probably remind you of someone or something in your life. 

But it’s all done well, as is typical of Cygnet. 

* member of Actor’s Equity

The details

"Other Desert Cities" plays through March 2, 2025 at Cygnet Theatre, 4040 Twiggs Street in Old Town.

Shows Wednesday through Friday at 7 p.m.; Saturday at 2 and 7 p.m. and Sunday at 2 p.m.

For tickets call the box office (619) 337-1525, open from 12-6pm or write them at boxoffice@cygnettheatre.org.