Theater Review: Charles Dickens' A Christmas Carol: a Ghost Story Told by Jefferson Mays

                  Jefferson Mays telling Charles Dickens' "A Christmas Carol"

Some people can play anybody (and maybe even anything). Actor Jefferson Mays is one of those. 

The Old Globe Theatre presents Mays through Dec. 22 in his inimitable version of Charles Dickens’ famed “Christmas Carol.” But this isn’t just any old Dickens.

This is “A Christmas Story” told as a ghost story, in cooperation with writers Susan Lyons (Mayo’s wife) and Michael Arden.

We all know the story, but we don’t all get the chance to see an actor of Mays’ ability play all of those parts in a 90-minute one-act extravaganza.

I’d love to know how many voices we heard (it’s more than 50), but I couldn’t help being not just inspired but delighted as he continued through the show. Working from a red-covered book that is presumably his script, he brings us everybody from Tiny Tim to old grandpa (and of course Scrooge), with only an occasional slurp of water as relief. 

He giggles, chortles, snorts, laughs and talks like grandma without a hitch, spreading his joy (and Marley’s ghost, attempting to change Scrooge’s bad behavior) around the Globe’s theater-in-the-round.

There isn’t a lot to say about this show, except that it goes by in a hurry and you will be delighted with Mays as he morphs into all of those famous literary characters.

I haven’t seen Mays live onstage for some years. I’m thrilled to see him back in this new version of his famous show and hoping to see him again soon.

The details

“Charles Dickens’ A Christmas Carol: A Ghost Story Told by Jefferson Mays” plays through December 22, 2024 at The Old Globe’s Sheryl and Harvey White Theatre, at 1363 Old Globe Way in Balboa Park.

Evening shows are at 7 p.m.; Saturday and Sunday matinees are at 2 p.m.

Ticket prices start at $64 and can be obtained Tuesday through Sunday at the box office (619) 234-5623) or online at theoldglobe.org.

Free parking is available in the park. Valet parking is available at $22 for pre-purchase or $25 for drive-up, evenings only.

Theater Review: A Christmas Carol

                      Sean Murray as Scrooge

Christmas is coming. The goose is getting fat, and so is this old lady, who always likes to cruise the pre-show goodies for a new yummy to try.

But never mind, it’s theater we’re here for, and Jacob Marley et al. (okay, he’s dead, don’t waste my time telling me) do not disappoint in Cygnet Theatre’s smashing and extremely musical version of Sean Murray’s adaptation of the old Christmas standby “A Christmas Carol.” 

I took great notes (I guess), but I can’t read ‘em because it was too dark to see what I was writing. No complaints; you know the story better than I do, and all you need do is grab a couple of tickets and a friend and hie thee down to Old Town for the show, which runs through Christmas Eve. 

You especially need to do that when you consider that Murray himself plays the old geezer Scrooge, and we get to see how he became the nasty old coot he is at the beginning of the show, yelling at the young, snorting at the women collecting money for needy children, you know the type.

This group includes Cygnet regulars Eileen Bowman, Megan Carmitchel, Jasmine January, Patrick McBride and Allen Lucky Weaver, not to mention everybody’s favorite goofball David McBean, who has such a wonderful time that we can’t help enjoying his antics too.

Cygnet director and star Murray wrote the script and of course gave himself some choice parts as well.

The original score (and it’s a gem) was written by Billy Thompson, with adaptations by Murray himself. Patrick Marion is the music director and keyboardist.

Kudos to choreographer Katie Banville, who put some great dance steps into operation here.

This is one of the longer (and more original) iterations of the story that I’ve seen, lasting some two hours plus and including a 15-minute intermission. 

It’s a terrific show. Do yourself a favor and get down to see it. It runs through Christmas Eve.

The details

“A Christmas Carol” plays through Christmas Eve at Cygnet Theatre, 4040 Twiggs Street in Old Town.

Tickets: (approximately $39-$73) available at boxoffice@cygnettheatre.com or (619) 337-1525

The box office is open Tuesday through Sunday from 12pm-6pm (or until the performance begins)

Christmas is coming. The goose is getting fat, and so is this old lady, who always likes to cruise the pre-show goodies for a new yummy to try.

But never mind, it’s theater we’re here for, and Jacob Marley et al. (okay, he’s dead, don’t waste my time telling me) do not disappoint in Cygnet Theatre’s smashing and extremely musical version of Sean Murray’s adaptation of the old Christmas standby “A Christmas Carol.” 

I took great notes (I guess), but I can’t read ‘em because it was too dark to see what I was writing. No complaints; you know the story better than I do, and all you need do is grab a couple of tickets and a friend and hie thee down to Old Town for the show, which runs through Christmas Eve. 

You especially need to do that when you consider that Murray himself plays the old geezer Scrooge, and we get to see how he became the nasty old coot he is at the beginning of the show, yelling at the young, snorting at the women collecting money for needy children, you know the type.

This group includes Cygnet regulars Eileen Bowman, Megan Carmitchel, Jasmine January, Patrick McBride and Allen Lucky Weaver, not to mention everybody’s favorite goofball David McBean, who has such a wonderful time that we can’t help enjoying his antics too.

Cygnet director and star Murray wrote the script and of course gave himself some choice parts as well.

The original score (and it’s a gem) was written by Billy Thompson, with adaptations by Murray himself. Patrick Marion is the music director and keyboardist.

Kudos to choreographer Katie Banville, who put some great dance steps into operation here.

This is one of the longer (and more original) iterations of the story that I’ve seen, lasting some two hours plus and including a 15-minute intermission. 

It’s a terrific show. Do yourself a favor and get down to see it. It runs through Christmas Eve.

The details

“A Christmas Carol” plays through Christmas Eve at Cygnet Theatre, 4040 Twiggs Street in Old Town.

Tickets: (approximately $39-$73) available at boxoffice@cygnettheatre.com or (619) 337-1525

The box office is open Tuesday through Sunday from 12pm-6pm (or until the performance begins)

Top photo: Sean Murray as Scrooge

Bottom photo: David McBean

    

Bottom photo: David McBean

Theater review: Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again

 

Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again

When you’re talking about a theater that is “internationally renowned for the development of new plays and musicals (including 120 world premieres)”, I guess we playgoers must learn to expect at least occasional weirdness. After all, 42 Tonys and 36 productions that move to Broadway have to impress.

So this Christmas season, La Jolla Playhouse is entitled to mount a play with the absurd title “Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again.”

Yup, that’s what they call it. And no, they didn’t make it up, though it is a world premiere by a real playwright named Anna Ouyang Moench.

The action we see takes place at a theater, in the lounge behind the play area, and the characters go there in between their stage action.

The show has its charms. The cast of six plays a total of ten characters, from ancient old white-haired Scrooge (Marco Barricelli) to the charming young Cratchit daughter Lucy (played by Juliet Brett) and her mother Mrs. Cratchit (Maria Elena Ramirez). Three other actors called Fred (Tomas Roldan), Eddie (Miles G. Jackson) and Bob Cratchit (Tony Larkin) round out the cast, playing various parts.

The action shows us what actors do when they’re not onstage, and tells us what they talk about. What they do, largely, is try to impress each other with their educational experience or parts they’ve played (and where, which seems to matter to them).

As expected, Barricelli’s Scrooge in his big red Santa costume makes lots of comments, at the end making a somewhat surprising one as he passes on his black hat to the next Scrooge.

The show is fun, as all sorts of possibilities, personal and professional, are discussed. And the kids Juliet Brett’s Cratchit daughter Lucy tosses in some startling dance routines.

This is a pleasant Christmas outing. Just be aware, if you are driving, that you will be required to exit through a road that takes you someplace I would never have been able to get home from. But maybe I’m just a lousy driver (not).

“Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again” runs through a Nov. 27 matinee at La Jolla Playhouse, 2910 La Jolla Village Drive.

Theater Review: Misery

                                 MISERY

If you ever thought it would be fun to be a writer, you might think again after you’ve seen William Goldman’s “Misery,” based on Stephen King’s novel of the same name.

“Misery” is about a famous novelist who has written a series of books about a woman called Misery, after which he has a terrible auto accident that puts him in bed and in pain for weeks and weeks.

His name is Paul Sheldon, and we meet him there, barely able to move. He sleeps most of the time, which seems a good idea. But somehow he acquires a full-time “nurse” named Annie Wilkes. She’s not a nurse, but Annie just happens to be a huge fan of Sheldon’s books, and she sees this as an opportunity to get him to write the book she wants to read.

How all this works out is on the stage through Dec. 7 at downtown San Diego’s Tenth Avenue Arts Center, presented by Backyard Renaissance Theatre Company and directed by MJ Sieber.

Francis Gercke plays Sheldon, and I must say this is the first time I can recall this popular actor pretty much unable to move without moaning. He seems to be sleeping most of the time - at least at the beginning.

Maggie Carney’s Annie Wilkes is questionable (to say the least) in the nursing department but has her own very definite ideas about what Sheldon’s next book should be, and she is determined to show him.

If this sounds like a recipe for disaster, you’re right, and Annie’s behavior just gets worse and worse as Sheldon ends up in more and more pain, largely thanks to her behavior.

A policeman called Buster, played by Alex Guzman, shows up now and then as well.

This is not a pleasant show to watch, nor does it want to be. Just know that you’re seeing a well-done production, and be prepared for the sledgehammer. If you’re a tippler, you might also do well to have a glass or two of wine before the show starts.

The details

“Misery” plays through Dec. 7, 2024 at the Tenth Avenue Arts Center, 930 Tenth Avenue in downtown San Diego.

Shows are at 7:30 p.m. Thursday through Saturday and 3 p.m. Sunday.

Tickets ($18-$40) can be purchased by phone (760-975-7189) or online at backyard renaissance.com 

Theater Review: Tiny Beautiful Things

 

I’ve often wondered how advice columnists do it. I mean, what gives them the chutzpah to think they know enough to tell someone else what to do?

In 2012, author/podcaster Cheryl Strayed made a book out of a collection of advice columns she had previously posted on “The Rumpus,” an online literary magazine. This book is now said to be as much literary memoir as advice and help.

The book, published in 2012 by a division of Random House, debuted at No. 5 on the New York Times Best Seller list in the advice and self-help category. “Variety” called it “a theatrical hug in turbulent times.”

Last night at Scripps Ranch Theatre, a woman who calls herself “Dear Sugar” gave advice on “love and life” onstage. The show runs through December 8, and is 90 minutes long with no intermission.

You’ve probably never seen anything like this onstage before, using four actors: “Dear Sugar” (Jyl Kaneshiro), the advice-giver, and three others identified in the program as “Letter Writers” one, two and three. These three are played by Max Macke, Michelle Marie Trester and Lisette Velandia. They act and react on a living room/kitchen set, which is in itself homey.

The point of Dear Sugar is to have someone to listen to your problems, from having a crush on someone to being rejected by parents, suffering a miscarriage, sexual assault and the most affecting, a man who has lost his child to death. Sugar always has something comforting to say, whether or not she has a great idea how to “fix” a problem. Sugar says she’s not the “know-it-all” kind of advice-giver, but that she is willing to work “really, really hard to see what I can find” in the way of solutions.

Warmth and humor abound here, and despite the problems under discussion, everyone is heard and helped by Sugar.

Congratulations all around also to the cast and designers: set design (Dixon Fish) and construction (John Owen), sound (Carla Nell) and stage design and costume designs (Cassandra Crawford). 

After all, as author Cheryl Strayed puts it, “You don’t have a right to the cards you believe you should have been dealt. You have an obligation to play the hell out of the ones you’re holding.”

This is a most unusual show. My advice is to grab yourself a ticket and go see it.

Theater Review: How the Grinch Stole Christmas

                The Grinch (Andrew Polec) and Young Max (Tommy Martinez)
 

2024 is Dr. Seuss’ 27th holiday season at the Old Globe. Many San Diegans have seen numerous productions of this show and can sing along with it. This one is directed by James Vásquez.

There’s not much point in reciting what happens, because either you’ve seen it before or you will get to be delighted by it for the first time. In either case, you don’t need me to tell you about it.

But I will anyway, at least a little bit. 

The book and lyrics (by Timothy Mason) and the music (by Mel Marvin) give us a dozen songs with crazy titles like “Who Likes Christmas?” and “You’re a Mean One, Mr. Grinch,” which are just plain fun to listen to or hum along with (as I do each year). There’s also a live “Who-chestra” of eight musicians, led by Music Director Elan McMahan. And two sets of kids who play the Who children alternately. 

“Who likes Christmas?” sings the whole cast. 

The major response comes from David Michael Garry*, who tells us “I like Christmas. I was Max, his old dog.”

There is also Max the young dog, played amusingly by Tommy Martinez.*

The major argument is between Young Max and that awful Grinch, all green and hairy and ugly and mad - and played brilliantly by Andrew Polec*, who of course sings “I Hate Christmas” because “his heart was two sizes too small.”

The one who saves the Grinch from his green grinchiness is a cute little girl called Cindy-Lou Who, played alternately and charmingly by Arden Johnson or Sofia Barredo, depending on which day you see the show.

Okay, that’s enough. You either know the rest or you’re going to take my advice and grab a ticket for the show. Or both. I’d advise the latter.

The details

Dr. Seuss’ “How the Grinch Stole Christmas” plays through Dec. 31, 2024 on The Old Globe’s Donald and Darlene Shiley Stage at 1363 Old Globe Way.

Adult ticket prices start at $41; children 17 and under tickets start at $33.

Tickets available online at www.TheOldGlobe.org, by phone at (619) 234-5623.

                                        Opening-night cast

Theater Review: Incident at Our Lady of Perpetual Help

                       Incident at Our Lady of Perpetual Help

The program tells you to picture the early 1970s “in a city very much like Seattle, or Boston, or Milwaukee or Cincinnati or….”

I can’t even come close to that, since in the ‘70s I was living on my own and working at a school in Rome, far from home in San Diego.

But let that be. Katie Forgette’s “Incident at Our Lady of Perpetual Help” takes place in and around the kitchen of mom Jo O’Shea (Erin Noel Grennan), a devout Catholic housewife who pretty much just does the mom thing.

 

Daughter Linda (Samantha Gorjanc) does stand-up and tells much of the story of this Catholic family. She is 19 and on the way to graduate school, but meantime does stand-up in this crazy family as she tells the story. She is interested in the fledgling women’s movement.

Another family member is Linda’s sister Becky (Abbi Hoffpauir), who at 13 has a fondness for trench coats and (apparently) Philip Marlowe. 

There’s a whole long bit about menstruation (because of Becky) that goes on rather too long for my taste, but it’s amusing.

The person who really gets the laughs is the sardonic Aunt Terri (Shana Wride). She makes the show, in my opinion.

Then there’s dad Mike O’Shea (Tom Dugan, who also plays two other roles). Mike seems to live upstairs, but he sure can talk loud. He also plays the priest Father Lovett and does a hilarious stint as “Betty Heckenbach”), apparently just here for looks and laughs. Grandma (unlisted and unseen) also seems to live upstairs. 

The drama arises from an illicit recording made by Becky and heard by Dugan as the priest Father Peter (get it?)

In the second act, things get more serious as conflicts come to a head, especially between Aunt Terri and Father Peter (also Dugan).

It’s a busy script that goes by in a huge hurry. You may get lost a time or two (I did), but the point seems to be comedy, not plot, and much of what happens is just plain funny. Bravo to director Jenny Sullivan for keeping it all together.

Kudos also to Elisa Benzoni for the just-right costumes and Marty Burnett, whose set makes the show look right for the ‘70s.

This is almost unusual play. If you’re in the mood for something different, you might try this one. 

The details

“Incident at Our Lady of Perpetual Help" plays through November 24, 2024 at North Coast Repertory Theatre, 987 Lomas Santa Fe Drive in Solana Beach.

Shows Wednesday and Thursday at 7 p.m.; Friday and Saturday at 8 p.m. Matinees Saturday and Sunday at 2 p.m. and Sunday at 7 p.m. Added matinee Wednesday, Nov. 13 at 2 p.m.

Tickets: (858) 481-1055 or boxoffice.northcoastrep.org